Scream
I think those nipple clips must have hurt.
© 2016, Andrew Conway. All rights reserved.
Breast Harness in Progress
Lilac Wine said: I like bringing beauty. What else is there? What am I offering? Is this sex to you, or pain, or do you like when a girl’s helpless and ashamed, caving in but still naked, ready for the taking, if-she-will-do-this-she-must-do-anything?
© 2016, Andrew Conway. All rights reserved.
I Am Bound, Master
“Perhaps we should be entertained,” he said.
“Perhaps,” said Mirus, puzzled.
“I can do little, Master,” said Tupita. “I am bound.”
“Do not underestimate yourself,” he said.
“True, Master,” she laughed, delightedly. There are many things, of course which a woman, bound, can do for a man, and, indeed, if she is bound she knows, if anything, she must strive even more desperately to be pleasing to him.
— John Norman, Dancer of Gor
© 2016, Andrew Conway. All rights reserved.
Bound Slavegirl Awaiting A Master
I gasped. I feared for a moment I might die. My heart began to beat wildly. I did not wish to faint. I suddenly felt great heat, helpless heat in my belly. It seemed my thighs flamed. I was bound helplessly. My responses were suitable for a slave. I hoped the men could not smell me. Then I was terrified.
— John Norman, Dancer of Gor
© 2016, Andrew Conway. All rights reserved.
Handled
“Get used to men handling you, baby doll. That’s all you have to look forward to for a while.”
© 2015, Andrew Conway. All rights reserved.
Basement Captive
The lovely Daisy Night aka Puppy Doll akd Wicked Darling tied up in a basement. Those nipples looked just too sweet not to decorate with clothes pegs.
© 2015, Andrew Conway. All rights reserved.
Orders
“Split your knees,” said Tajima.
“No!” said Pertinax.
“Now!” said Tajima.
The girl spread her knees.
“Wider!” said Tajima. She was, after all, a collar-girl. The former Miss Wentworth complied, quickly, docilely, with Tajima’s command. She had learned obedience to men, slave obedience, in the stable, at the hands of the grooms.
John Norman – Swordsmen of Gor
© 2014, Andrew Conway. All rights reserved.
