Girl In Cage
Lacey never cuts her hair
© 2012, Andrew Conway. All rights reserved.
How many men of Earth, I thought, used only to the stunted sexuality of their inert, chilled, reduced females would be astonished at discovering and encountering the needful, collared sluts of Gor. Sometimes they must be cuffed from one’s feet, lest their pleading and insistence, however softly piteous, become too annoying.
John Norman – Kajira of Gor
© 2012 – 2013, Andrew Conway. All rights reserved.
What am I offering? Is this sex to you, or pain, or do you like when a girl’s helpless and ashamed, caving in but still naked, ready for the taking, if-she-will-do-this-she-must-do-anything?
Lilac Wine (writing about this photo shoot)
© 2012, Andrew Conway. All rights reserved.
If I were better with Photoshop I wouldn’t need such creative titles.
© 2012, Andrew Conway. All rights reserved.
“Can you understand me, my little she-quadruped?” asked my hostess. “Whimper once for ‘Yes,’ whimper twice for “No.’” Lale whimpered once.
“Good,” said my hostess. “You are a bright little she- quadruped.”
“Have you ever served as a she-quadruped before?” asked my hostess.
Lale whimpered twice.
“But you understand something of what is involved, do you not?” asked my hostess.
One whimper.
“For two weeks,” said my hostess, “or more, if I choose, you will be chained in the darkness, in one of the back alcoves, serving there as a speechless animal any who may come upon you or desire you.”
Lale groaned in pain.
“Do you understand?” asked my hostess.
Lale whimpered once.
“Take her away,” said my hostess.
Mercenaries of Gor, John Norman
© 2012, Andrew Conway. All rights reserved.
Objectification is a notion central to feminist theory. It can be roughly defined as the seeing and/or treating a person, usually a woman, as an object. In this entry, the focus is primarily on sexual objectification, objectification occurring in the sexual realm. Martha Nussbaum has identified seven features that are involved in the idea of treating a person as an object:
Rae Langton (2009, 228–229) has added three more features to Nussbaum’s list:
© 2012, Andrew Conway. All rights reserved.
After President Romney’s appointments of Grover Norquist and Anne Coulter to the Supreme Court, the Court ruled 6-3 that slavery was indeed legal for convicted felons and was not cruel and unusual punishment. Indeed, the majority argued, it was far more humane than the common practice of water boarding. After congress passing the Felony Bankruptcy Act in 2014, and the federal prison system was sold to Bain Capital in 2015, it became common to see underemployed graduates who were unable to make their student loan payments sold off in the streets as household slaves. While Bain’s slave merchants found that hanging the merchandise up for display increased sale prices, the Public Morality Act of 2016 ensured that citizens were safe from any possibility of seeing female nipples.
© 2012, Andrew Conway. All rights reserved.
There was the Sign of the Bear and the Sign of the Anchor, and the Sign of the Crossed Swords, but by far the most magnificent was the gilded Sign of the Lion, hanging high over a vast carriageway and under three stories of deeply cut leaded windows. But the most startling detail of all was the body of a naked Princess swaying beneath the sign, bound with her ankles and her wrists together on a leather chain, so that she hung like ripe fruit from the shingle, her naked red sex painfully exposed.
It was exactly the way that Princes and Princesses had been tethered in the Punishment Hall at the castle, a position Beauty had never suffered and that she dreaded most of all. The Princess’s face was fixed between her legs only inches above her swollen and mercilessly revealed sex, and her eyes were almost closed. When she saw Mistress Lockley she moaned and wriggled on the chain, straining forward in supplication, just as the punished Princes and Princesses had done in the Hall of Punishments.
Ann Rice, Beauty’s Punishment
© 2012, Andrew Conway. All rights reserved.
Miss Maggie Mayhem plays the naughty schoolgirl. I think she’s going to get into all sorts of trouble…
© 2012, Andrew Conway. All rights reserved.
For example, Susan here has resonance. I call her Susan because that’s the name of the character she is playing. Susan is a pert English girl of good background who has been captured and trussed up by a tribe of savages from Sumatra. Indignities of many kinds–some nameless, some specific–are in store for her. Susan has resonance because many people respond to her. They love reading books about her or looking at pictures of her, or seeing films about her. From time to time she’s trussed up by Martians or Vikings or Gauleiters. But she’s always the same old Susan, always defenseless, always known to her admirers as a damsel in distress. And she strikes a chord. Can you hear it? (Pause.) It’s a statistical fact that some of you can. That makes Susan a resounding person. Let’s hope it comforts her in bondage–against which (GIRL B wriggles desperately) she struggles in vain.
Kenneth Tynan, Oh Calcutta
© 2012, Andrew Conway. All rights reserved.