When a slave is introduced into a new house, often carried over the threshold bound and naked, she is commonly tied and whipped; the purpose of this is to leave her in no doubt as to what she is in the new domicile; in this way she is assisted in understanding that within the new walls, in the new collar, under the new mastery, she is as much slave as before, and perhaps more. This status is not something which a wise master lets a woman forget, ever.
John Norman
© 2012, Andrew Conway. All rights reserved.
I like this one. Lilac looks so forlorn and Mike looks so menacing.
© 2012, Andrew Conway. All rights reserved.
The perfect ornament to hang from your Christmas Tree
© 2012, Andrew Conway. All rights reserved.
When the mouse-traps clip over my pussy it’s degrading, and degradation changes in nature when there are photographers; implying others’ gaze when you’re not there to witness their reactions; so they can carve you up from scene and circumstance, and crop at will. A lover will know I’m a smart girl with degrees and a dayjob, and that I’ll think about the implications of this afterward. A stranger can crop at will, and I do not control the most striking elements of the picture. I am openly offering my nakedness and endurance, which I value; and the whole world has the jpg’s.
Lilac Wine, writing about this photo shoot
© 2012, Andrew Conway. All rights reserved.
Let me take you back to the days before auto focus, when 200ASA was fast film, and a large aperture meant limited depth of field. So, sometimes you had to chose what to focus on really carefully. In my case it seems I chose the model’s left nipple. All these years later I still think it was not a bad choice.
© 2012, Andrew Conway. All rights reserved.
What am I offering? Is this sex to you, or pain, or do you like when a girl’s helpless and ashamed, caving in but still naked, ready for the taking, if-she-will-do-this-she-must-do-anything?
Lilac Wine (writing about this photo shoot)
© 2012, Andrew Conway. All rights reserved.
